論文 ·関連 ·未確認

释 “美"

呂, 浩 ロ, コウ LYU, Hao

刊行年
2016-03-10
収録
『語学教育研究論叢』 33 pp. 141-151
出版
大東文化大学語学教育研究所
crid
1050845762781243008
uri
https://opac.daito.ac.jp/repo/repository/daito/50120/
ndl_bib_id
027190640
naid
120006415405
issn
0911-8128
URL
https://cir.nii.ac.jp/crid/1050845762781243008

要旨

Abstract For the character of MEI(美), paleographers have two explanations which are delicacy or decoration. Based on these two explanations, aestheticians and anthropologists hold the views that Chinese aesthetic consciousness originates from taste or visual experience. As culture symbols, the components in MEI mean the law, morality, yin and yang intersection, totem and witchcraft, gravid and birth. It is a misconception that those meanings form MEI are the original meanings from the concept of beauty. In fact, we cannot draw a conclusion that the meaning from the image of a Chinese character is the original meaning of the concept which is recorded by the character.

主題

この書誌の出所

  • cinii— 1050845762781243008(2026-08-13取得)

引用キー: 呂2016释“美

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