漢字音における後位モーラの独立性について : 仏教声楽譜から見た日本語の音節構造の推移(<特集>日本語音韻史の新展開)

要旨

This paper describes a change in the degree of the independence of the postpositional mora by taking notice of the position of <i>kana</i> in the scores of <i>shomyo</i>, Japanese Buddhist chants. An investigation into the scores of the <i>Nanzan-shin</i> School, the <i>Soo-in</i> School and the <i>Tendai</i> School revealed that the postpositional mora acquired its independence as a unit of syllabication during the Medieval Japanese and Early Modern Japanese periods.

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