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論文 ·日本語 ·未確認

Discourses of the Vanishing: Modernity, Phantasm, Japan.

Eyal Ben‐Ari Marilyn Ivy

刊行年
1996-01-01
収録
『Monumenta Nipponica』 51(2) pp. 273-273
出版
Sophia University
言語
英語
OpenAlex
W2165980334
DOI
10.2307/2385097
MAG
2165980334
ISSN
0027-0741
URL
https://doi.org/10.2307/2385097

要旨

Deep anxieties about the potential loss of national identity and continuity disturb many in Japan, despite widespread insistence that it has remained culturally intact. In this conjoining of ethnography, history and cultural criticism, Marilyn Ivy discloses these anxieties, as she tracks what she calls the vanishing: marginalized events, sites and cultural practices suspended at moments of impending disappearance. Ivy shows how a fascination with cultural margins accompanied the emergence of Japan as a modern nation-state. This fascination culminated in the early 20th-century establishment of Japanese folklore studies and its attempts to record the spectral, sometimes violent, narratives of those margins. She then traces the obsession with the vanishing through a range of contemporary reconfigurations: efforts by remote communities to promote themselves as nostalgic sites of authenticity, storytelling practices as signs of pre-modern presence, mass travel campaigns, recallings of the dead by blind mediums, and itinerant, kabuki-inspired populist theatre.

主題

この書誌の出所

  • openalex— W2165980334(2026-08-14取得)

引用

Eyal Ben‐Ari・Marilyn Ivy(1996-01-01) Discourses of the Vanishing: Modernity, Phantasm, Japan. 『Monumenta Nipponica』 51(2) pp. 273-273 Sophia University

Ben‐AriIvy1996DiscoursesVanishing
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