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Waka in the medieval period: patterns of practice and patronage
- 刊行年
- 2015-07-31
- 収録
- 『Cambridge University Press eBooks』 pp. 238-255
- 出版
- Cambridge University Press
- 言語
- 英語
- OpenAlex
- W2475949852
- DOI
- 10.1017/cho9781139245869.026
- MAG
- 2475949852
- URL
- https://doi.org/10.1017/cho9781139245869.026
要旨
Much longer fiction survives from Imperial Princess Baishi's day, and one of her attendants, is credited with Sagoromo monogatari, dated to sometime between 1069 and 1086. The influence of Genji is discernible on the very first page of Sagoromo, as the eponymous hero alludes to a poem by Genji himself. In the postscript to his copy of the Sarashina nikki, the famous poet Fujiwara no Teika records the attribution of four monogatari to the diary's author, two of which are still extant: Yoru no Nezame and Hamamatsu Chunagon monogatari. The final monogatari extant from the Heian period is Torikaebaya monogatari. Critical consideration of the monogatari genre reached its second peak in 1271 with the completion of the Fuyo wakashu, an imperial anthology-like collection of over two hundred poems drawn exclusively from monogatari, in twenty books. The collection provides evidence that it was in fact in the Kamakura period that most monogatari were produced.
主題
この書誌の出所
- openalex— W2475949852(2026-08-14取得)
引用
Steven D. Carter(2015-07-31) Waka in the medieval period: patterns of practice and patronage 『Cambridge University Press eBooks』 pp. 238-255 Cambridge University Press