Self-Repetition and East-Asian Literary Modernity, 1900-1930

要旨

Histories of East Asian literary modernity have often begun as historiographies ofthe narrative self. For some scholars, the emergence of a decidedly self-referentialmode of fiction in the early twentieth century is part and parcel of what definesthis modernity. In Japan there was the “I-novel”; and in China, Romantic fic-tion.

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