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論文 ·対照・比較 ·未確認

Examining the Myth of Ryukyuan Pacifism

Gregory Smits

刊行年
2010-09-01
収録
『Japan focus』 8(37)
言語
英語
OpenAlex
W4410181171
DOI
10.1017/s1557466010010223
ISSN
1557-4660
URL
https://www.cambridge.org/core/services/aop-cambridge-core/content/view/06707DDA8DC8F8037C43FC1F4102680B/S1557466010010223a.pdf/div-class-title-examining-the-myth-of-ryukyuan-pacifism-div.pdf

要旨

On August 28, 2009 the Okinawa Association of America marked its 100th anniversary by hosting the musical King Sho Hashi–Dynamic Ryukyu at the Redondo Beach Performing Arts Center in Los Angeles. The poster promoting the event characterizes it as “an ultra modern kumiodori musical in Japanese and English,” and the main visual image of the poster features a young man wielding a sword. The sword is not poised for violence. Instead it is held backwards, blade against the forearm, as a dance prop. The following passage from an article describing the musical quotes from its producer: “Discussing his purpose in creating the work, producer and stage director Daiichi Hirata said, ‘For Okinawans, King Sho Hashi was the first historical figure to have a truly positive impact on the country. I want to take that passionate Okinawan tradition and convey it to future generations using King Sho Hashi as the motif’.” The promotional poster for the musical says of Shō Hashi that “His vision united a kingdom.”

主題

この書誌の出所

  • openalex— W4410181171(2026-08-14取得)

引用

Gregory Smits(2010-09-01) Examining the Myth of Ryukyuan Pacifism 『Japan focus』 8(37)

Smits2010ExaminingMythRyukyuan
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